I cover the whole pipeline.
Most shows get handed off three times between the idea and the delivery. I hold all three, so nothing goes missing in between.
Before
the room
I build the show concept and the renders first, so every department is looking at the same picture instead of negotiating on show day. Lighting plot, content design, run of show.
On the branding side I build the identity alongside the stage rather than bolting it on afterwards. For video that means scripting and storyboarding through to shot lists.
Running
the show
I run the media server and lighting live. DMX and Art-Net across multiple universes, large-format LED pixel mapping, projection, display systems, signal routing.
I direct multicam and shoot it myself on Sony, Canon, Panasonic, and Blackmagic. I meter light and check colour on set, because fixing it in post is a tax you pay later.
Cut and
delivered
Edit, colour, and motion graphics. Multicam 6K Blackmagic RAW, grading, social cutdowns, and captioning to FCC and ADA standards.
Because I designed the show, the edit already knows where the look was headed. There is no handoff to lose anything in.
Rooms that
respond
TouchDesigner and Resolume, real-time motion tracking, networked LED over Art-Net, web AR. This is the part I chase: a room that reacts to whoever is standing in it.